IT  |  EN

Musikàmera

Wednesday 10 April 2019 | h 20

Martha Argerich - Quiroga String Quartet

Piano and string quartet

Teatro La Fenice | MAIN HALL

Wednesday 10 April 2019 | h 20

Martha Argerich - Quiroga String Quartet

Piano and string quartet

Teatro La Fenice | MAIN HALL

Performer

Martha Argerich piano

Quiroga String Quartet

Programme

Johann Sebastian Bach
Partita no. 2  BWV 826

Ludwig van Beethoven
String Quartet no. 16 in F major, op. 135

Robert Schumann
Piano Quintet in E flat major, op. 44

buy your ticket

Information

Numbered tickets

  • Stalls and boxes front seats: € 50
  • Central gallery and loggione: € 35
  • Restricted view seats: € 15
  • No view seats: € 10
  • Reduced (under 30s) in all sectors: € 15

The tickets "Reduced (under 30s)" can be purchased only at the Ticket Office of Teatro La Fenice, at the selling points of VeneziaUnica and with the CALL CENTER HELLOVENEZIA calling the following number: 041 2424

Ticket on sales from 8 January 2019

MARTHA ARGERICH

Martha Argerich was born in Buenos Aires. From the age of five, she took piano lessons with Vicenzo Scaramuzza. In 1955 she went to Europe with her family, and received tuition from Friedrich Gulda in Vienna; her teachers also included Nikita Magaloff and Stefan Askenase. Following her first prizes in the piano competitions in Bolzano and Geneva in 1957, she embarked on an intensive programme of concerts. Her victory in the Chopin Competition in Warsaw in 1965 was a decisive step on her path to worldwide recognition. 

Martha Argerich rose to fame with her interpretations of the virtuoso piano literature of the 19th and 20th centuries. But she does not regard herself as a specialist in "virtuoso" works - her repertoire ranges from Bach through Beethoven, Schumann, Liszt, Debussy and Ravel, to Bartók. 

Martha Argerich has worked as a concert pianist with many famous conductors. She has also attached great importance to chamber music ever since, at the age of 17, she accompanied the violinist Joseph Szigeti - two generations older than herself. She has toured Europe, America and Japan with Gidon Kremer and Mischa Maisky and has also recorded much of the repertory for four hands and for two pianos with the pianists Nelson Freire, Stephen Bishop-Kovacevich, Nicolas Economou and Alexandre Rabinovitch. Martha Argerich has performed at Gidon Kremer's festival in Lockenhaus, at the Munich Piano Summer, the Lucerne Festival and at the Salzburg Festival, where she gave, for instance, a recital with Mischa Maisky in 1993. 

She appeared with Claudio Abbado and the Berlin Philharmonic at the 1992 New Year's Eve Concert with Strauss's Burleske and also at the Salzburg Festival at Easter 1993. May 1998 saw the long-awaited musical "summit meeting" between Martha Argerich, Mischa Maisky and Gidon Kremer. On the occasion of a memorial concert for the impresario Reinhard Paulsen, the three artists came together in Japan, where they performed piano trios by Shostakovich and Tchaikovsky (recorded live by DEUTSCHE GRAMMOPHON). In March 2000 Martha Argerich gave her first great solo appearance in almost 20 years in New York's Carnegie Hall. 

Martha Argerich has close ties with DEUTSCHE GRAMMOPHON, dating back to 1967. She has recorded prolifically during this period: solo works by Bach, Brahms, Chopin, Liszt and Schumann; concerto recordings of works by Chopin, Liszt, Ravel and Prokofiev with Claudio Abbado, Beethoven with Giuseppe Sinopoli, and Stravinsky's Les Noces with Leonard Bernstein. Her recording of Shostakovich's First and Haydn's Eleventh Piano Concertos with the Württembergisches Kammerorchester Heilbronn conducted by Jörg Färber was crowned with the Tokyo RECORD ACADEMY AWARD in 1995 and that of Tchaikovsky's Piano Concerto No. 1 with Claudio Abbado and the Berlin Philharmonic Orchestra was awarded the CD COMPACT AWARD in 1997. 

She has also dedicated herself to chamber music, and has recorded works by Schumann and Chopin with Mstislav Rostropovich, and cello sonatas by both Bach and Beethoven with Mischa Maisky. She has made numerous successful recordings with Gidon Kremer, such as violin sonatas by Schumann and works by Bartók, Janácek and Messiaen (PRIX CAECILIA 1991), and Mendelssohn's concerto for violin and piano with the Orpheus Chamber Orchestra. Their recording of Prokofiev sonatas and melodies received the 1992 Tokyo RECORD ACADEMY AWARD, the DIAPASON D'OR 1992 and the EDISON AWARD 1993. One of their most outstanding recording achievements was that of the complete Beethoven violin sonatas (Nos.1-3: RECORD ACADEMY AWARD 1985), which was concluded with the release of the Sonatas op. 47 "Kreutzer" and op. 96 in 1995. Among her more recent releases is the above-mentioned live recording of piano trios by Shostakovich and Tchaikovsky with Mischa Maisky and Gidon Kremer. 

Martha Argerich takes a great supportive interest in young artists. In September 1999 the first International "Martha Argerich" Piano Competition took place in Buenos Aires - a competition which does not only carry her name but in which she is president of the jury. In November 1999 the second "Martha Argerich Music Festival" took place in southern Japan, with concerts and masterclasses being given not only by Martha Argerich but also by Mischa Maisky and Nelson Freire among others. 

CUARTETO QUIROGA

Cuarteto Quiroga, recent winner of Spain’s National Music Prize and appointed first quartet-in-residence in charge of the Royal Collection of decorated Stradivarius at Madrid’s Royal Palace, has established itself as one of the most dynamic and unique quartets of its generation, winning international acclaim from critics and audiences alike for its distinctive personality as well as its bold and original approach to the string quartet repertoire.
The quartet honours the memory of galician violinist Manuel Quiroga, one of the most outstanding instrumentalist of spanish music history.

The group studied at Madrid’s Escuela Reina Sofia with Professor Rainer Schmidt, at the Musikhochschule Basel with Walter Levin, and at the ECMA with Prof. Hatto Beyerle. Other important influences are Johannes Meissl, György Kurtág, András Keller, Eberhard Feltz and Ferenc Rados.
Prizewinners of several major international competitions (Bordeaux, Paolo Borciani, Genève, Beijing, Fnapec-Paris, Palau-Barcelona), the ensemble appears regularly worldwide (Wigmore Hall London, Philarmonie Berlin, Frick Collection and Lincoln Center New York, DaCamera LosAngeles, National Gallery Washington DC, Concertgebouw Amsterdam, Invalides Paris, Martinu Hall Prague, Nybrokajen Stockholm, Auditorio Nacional-Madrid, Heidelberger Frühling, Stadtcasino Basel, Mozarteum Salzburg, String Quartet Biennial Amsterdam, etc.) and was awarded the Spanish National Radio Culture Prize.
Frequent stage partners include Martha Argerich, Veronika Hagen, Valentin Erben, Javier Perianes, Jörg Widmann, Richard Lester, Alain Meunier, David Kadouch, Jonathan Brown, Vladimir Mendelssohn, Tomas Djupsjöbacka, Chen Halevy, Cappella Amsterdam, and the Doric, Meta4, Ardeo and Galatea string quartets.

Strongly committed to chamber music teaching, they hold the String Quartet Chair at Zaragoza’s Conservatorio Superior (CSMA), and they are regularly invited to give masterclasses at universities and music conservatories throughout Europe, USA and Latin America.

Their five CD-albums (COBRA & Harmonia Mundi), have been acclaimed by the international press and awarded several prizes and distinctions. “Statements”, with music of Haydn, Webern and Sollima won the “CD of the year 2012 Award”, given by the Independent Producers Union (UFI). “(R)evolutions”, dedicated to the early music of Schönberg, Webern and Alban Berg, was awarded, among several other distinctions, with the label “Exceptional CD” given by Scherzo, Spain’s leading music magazine. In 2016 they released two CD titles: “Frei Aber Einsam”, dedicated to the Opus 51 quartets by Johannes Brahms (Cobra) and a collaboration with pianist Javier Perianes including the piano quintets of Granados and Turina (Harmonia Mundi). Most recently, they have also released his latest album “TERRA” dedicated to works of Bartók, Ginastera & Halffter. All three recordings have already been praised by such prestigious reviewers as The Strad, Gramophone, BBC Music Magazine (UK), Luister (NL), El País (Spain), Fanfare (USA) and have already received awards and recognitions from several magazines (Scherzo, Pizzicato, Ritmo, Melómano, ICMA, etc.) and broadcasting corporations, such as the Norddeutscher Rundfunk, NDR.

Cuarteto Quiroga has its official residence throughout the year at Madrid’s Cerralbo Museum. Mr. Sierra would like to thank Paola Modiano’s heirs for the generous opportunity to play the 1682 Nicola Amati violin “Arnold Rosé”.

NEXT EVENTS